Brigadoon: The Final Bow Of Professor David Burke

Professor David Burke began our tour two days before opening night for the production Brigadoon behind the set itself. I introduced myself and went to shake his hand.

“Oh I shouldn’t,” he said, holding up his hands so I could see how they were covered in shades of black, green and gray paint.

I had interrupted him while he was working on the set piece for the production of Brigadoon that would run from Thursday to the following Tuesday.

He lives for set building.

“I was a college drop-out for about five years,” he said. “For those five years I was not in college, I became a carpenter. I moved to Idaho as a hippie.”

This reminded me of my time in theatre, how when you show up to auditions there were times when you were cut from a show and had to take a break from the stage. While other times, you got the comedic role and the next you were the one to bring the audience to tears.

Burke has constant humility in his leadership and the willingness to even do the clean up required to prepare the stage for that night’s dress rehearsal. But beyond that, he has become a mentor and leader to many of the students in the department.

“He’s like a father figure to many of us,” Noah Leake, senior accounting major, told me after curtain call of the opening night of Brigadoon.

He has guided many of the students, even the students who are not theatre majors, but who have been drawn to the stage.

“If I ever skipped a chapel I was always in his office talking to him, just about life,” Leake said.

Burke is not a man of few words, but as we sat in the audience looking at the set that they created he finally told me, “We are not praising God for saving us, we are praising Him for creating us.”

God was the first creator, and to be more like Him, you need to learn to create, to allow yourself to be molded like clay into what God has designed you for.

Ultimately, that means listening to God when He calls you in a different direction. Burke told me that his plan was to retire when he was 70 and had been around the theatre for 35 years. The Lord had different plans because of his heart condition that caused him to need a double bypass open heart surgery.

“God, I will stay as long as you want me to stay, and I will only go when you clearly tell me it’s time to go.”

It was when Burke was in the hospital recovering from the surgery that he heard the Lord tell him that it was time to take his bow, move aside and allow someone else to lead.

Since February 1, 2019, the cast and crew along with a team of outside volunteers have worked to design and create the sets and costumes from the ground up, just as Burke had done with Union University’s theatre program when arriving here 34 years ago.

When he arrived at Union University in 1986, he told me there was a stage that was about 20×20, made up of platforms that were all different heights. “They had taken carpet and stapled it over the top of it so people wouldn’t trip.”

Since then, he has built platforms for the chairs in the audience, purchased the chairs and lighting and recentered the purpose of the department. A purpose not only to entertain but to enlighten, to teach and to glorify the Lord in all things.

Now it’s show time. The costumes have been finished and the ticket ripped at the door.

Brigadoon. Burke’s first musical in college as a performer, when he played the role of Jeff Douglas, is now his last show as director.  

Within moments the audience will be laughing and sitting at the edge of their seats. With all the accents, all the costumes and the 50 ft wide and 13.5 ft tall set, the audience is immediately thrown back to a land that will bring sacrifice, love and maybe a little magic.

By the end of Act One, the audience is ready to join the chorus.

“It makes me want to pull out my kilt,” Michael Horton, senior psychology major, said once the lights came up.

Brigadoon will throw the audience through all forms of emotions, whether it’s laughing with or at Jeff Douglas, played by Timothy Fletcher, or crying along with Fiona MacLaren, played by Grace Runkle, who gives a wonderful performance and pulls at the heartstrings of the audience. This is a show that draws on all of Union’s talent to bring such a professional performance.   

As Burke takes his final bow and prepares to say goodbye to his role as director on March 19, 2019, Brigadoon is something that shouldn’t be missed by anyone.

This article first appeared in the Cardinal and Cream Website.

Creator Profile: Sullivan Hogan

The first time I ever met Sullivan Hogan was in a theater class.

I, a non-theater major, walked into the room to see her, a theater major, sitting in a faded red loveseat, one of the many chairs from previous productions that occupied the theater room. Having never met me, she immediately introduced herself, along with her fellow classmates, and I remember how personable it felt.

Hogan prides herself on being personable.

Sullivan Hogan, or Sully, as she is commonly known, is a junior theater and digital media communications double major from St. Louis. For as long as she remembers, she has loved entertaining people with her characters. From her 1st grade Thanksgiving play, in which she starred as Elizabeth the pilgrim, to her part-time job portraying costumes of Daffy Duck and Sylvester the Cat in high school, Hogan loves bringing to life her assigned personas.

Hogan hopes to bring that same passion to her starring role as Nora Helmer in “A Doll’s House” this November, as Union University’s theater department tackles Henrik Ibsen and Thomas Ostermeier’s feminist tour de force. Hogan refers to Nora as “one of [her] most impressive roles to date.”

One thing Hogan makes very clear about her role as Nora is how impactful it is.

“I’m on the stage for almost the entirety of the show, which means I am acting the entire time,” Hogan says. She seems half giddy and half nervous about her extended stage presence throughout the program, but continuously comes back to how her performance will resonate with the audience.

Hogan’s love of the stage thrives on her wanting the audience to connect with her characters. When asked about the true reasoning behind her passion for theater, she alludes to a more intimate connection than most people are used to today.

“A great performance is able to make the theater seem smaller,” Hogan says passionately. “My favorite performances are the ones where people come up to me after the show and tell them how much they needed to see the show and what my character meant to them.”

In the end, that’s really what Hogan sees as the big picture: God calling her to connect with people through her performances.

Professor David Burke, former director of Union’s theater program, would always say that “theater is the most difficult calling God can give.” Hogan takes that message to heart.

From the first time I met her, Hogan seemed intent on making me feel included. The first time I saw her in a performance, as Nurse Kelly in last year’s “Harvey,” I saw how well she connected with an audience. Sitting across from her in this crowded coffee shop, watching her greet a handful of students as she walked in, I see that those connections aren’t just between a fictional character and an audience member in a state of suspended disbelief, but a connection between someone willing to use the gift God gave her and those receptive to it.

Nora from “A Doll’s House” is famous for her door slam heard ‘round the world. It’s Hogan’s job to make it heard by you.

This article first appeared in The Cardinal & Cream Website

When Everybody Needs To Laugh

It was February 2017. I was a senior in high school. I was on Union’s campus for a Scholars of Excellence weekend. I had no idea what I was doing, but this was the weekend when I needed to at least pretend like I knew what I was doing.

It was a Friday night. I guess I had checked in, and I don’t know what else I did that night. It was one of those events where you get a name tag. You know, the ones that make you stand out—the ones that take away any chance of you passing as a Union student.

On the back of my name tag, I found a schedule for the events of the weekend. This is exactly what I needed that weekend. I could casually look at the back of my name tag and have the details I needed in order to look like I knew what was going on.

“Improv show- Barefoots Joe,” I read on the schedule for Friday night.

I had no idea what that meant, but I am sure that I asked my only friend on campus that weekend if she was going to the show. I didn’t know what I was going to, but at least I had something to do and someone to sit with.

Looking back, I think that I was expecting more of an open mic type of event. I hadn’t heard of an improv team before, so senior me was just expecting people from the crowd to improvise. I’m not really sure what I expected, but it was probably something along the lines of people from the crowd just going on stage and doing whatever they wanted. It sounds silly now, but I just didn’t know.

That night I crowded into Barefoots with a bunch of nervous high school seniors (and some overly confident ones), as well as many current Union students. I sat on the floor at the left corner of the stage and laughed—like the whole show.

This was not what I had expected, but this is what I needed. I needed something else to think about other than the scholarship competition coming up the next day. I needed a reason to laugh instead of worry.

* * *

“They pay us with macaroni,” said Clark Hubbard, captain of Union’s Blank Slate Improv team.

Everyone laughed…again.

The show was in Barefoots again. It was Halloween night 2018. It was a Wednesday night. I had homework due the next day that I had not started on. The show started after 9 p.m., yet there I was sitting in Barefoots.

I looked around me. Extra chairs had been brought in to comfortably accommodate all the students.

“Why are there so many people here?” I thought.

It was a school night. It was late. It was Halloween, yet there were people sitting all around me. I was surrounded by laughter.

“Why do we keep coming out to these shows? What’s so funny?”

These were the questions running through my mind as the show got started.

Maybe it’s because everyone has this desire to be funny, and we live vicariously through the Blank Slate Improv team.

Maybe it’s because our friends are the ones on stage, and we feel like we have an inside track with the team.

Or maybe it has to do with the way improv looks at issues, stereotypes and Union culture from a unique perspective.

Whatever it is that makes people come—that draws people in—I think it ultimately comes from our need for laughter.

College is great. College can also be stressful. Blank Slate Improv provides the campus with a period of time simply to laugh.

Sometimes it doesn’t even take words. One person in the crowd starts laughing at a simple gesture or expression by one of the team members, and suddenly everyone in the crowd is laughing. There’s just something about laughter that can be so contagious.

It’s funny because no one knows what to expect—not even the team members. It’s funny because that’s not the voice he normally uses. It’s funny because the team members have to think on their feet and feed off of each other even if they have no idea what another person is thinking.

It’s funny because we need to laugh.

I mean, who would have thought that a room full of college students would have laughed so hard when a tall guy said, “They pay us with macaroni”?

It was all of the little details of the scene that made the room laugh.

It was all of the little details of the whole show on Wednesday night that made the crowd verbalize their disappointment when captain Ben Johnson said, “Alright guys, we only have one more game.”

***

If you were one of the ones expressing your disappointment at the closure of the show on Wednesday night (or if you are now expressing your disappointment in not attending the show), you still have a chance to join Blank Slate Improv for another show this Saturday, Nov. 3, at 7 p.m.

Blank Slate will be opening for Anthem Lights in the G.M. Savage Memorial Chapel.

Doors open at 6:30 p.m., so pick up tickets in advance at Union Station and be there early for the show on Saturday.

After all, they say laughter is the best medicine.

Image courtesy of Tamara Friesen

This article first appeared in The Cardinal & Cream website.

OneActs

Student Directed One-Acts

The double feature happening in the W.D Powell theatre Thursday April 19 through Sunday April 22 is sure to be an exciting one. Not only are these plays student directed, but one was even written and directed by the same student.

Samuel Edgren, a senior here at Union with majors in theatre and English, wrote his play in completion of Discipline Specific Honors for his English major.

“I wanted to adapt a play of an existing piece of literature…I chose ‘Paradise Lost’ by John Milton because I liked the story and dramatic content,” Edgren said. “So I spent the next year and a half working on a script, the story line is an expanded play of Genesis 3 as seen by Milton, as seen by me.”

He explained that the script is a straight adaptation of “Paradise Lost” but that the content was in no way to be taken as absolutely true or scriptural. The theme being man’s first disobedience, which occurs in Genesis 3.

The play, entitled “Pardon the Pitchfork,” consists of five actors and there really isn’t anyone else involved. Edgren even designed the sets himself.

“It’s weird to see the things I wrote and spent so much time on being said by other people,” he said. “Seeing them consider and ask the same questions that I would ask of a greater work.”

The play following “Pardon the Pitchfork” was written by Mark Medoff and directed by Matthew Wallace, a senior theatre and psychology double major.

Entitled “Children of a Lesser God,” this play follows the story of a hearing man reliving his relationship with a deaf woman. Wallace explained that he took an American Sign Language class his sophomore year and fell in love with the deaf community.

“I eventually chose to do ‘Children of a Lesser God’ because the show has such a variety of emotions and makes you think about diversity, love, relationships and humanity in such a different way,” Wallace said. “I wanted others to appreciate the beauty that I saw in ASL and the deaf community.”

Upon first impression it appears that the shows share nothing more than a set, however, according to Wallace, both shows explore very complex relationships in ways that most people never think about. While they are two completely separate shows, they are not completely disparate.

“We have worked hard to portray the deaf community in a way that is honest and respectful,” Wallace said. “This is a show you won’t regret coming to see.”

Both plays will be showing in the W.D Powell theatre Thursday-Sunday, “Pardon the Pitchfork” at 6:30 p.m. Saturday and 2:30 p.m. on Sunday and “Children of a Lesser God” at 8:45 p.m. Saturday and 4:45 p.m.  on Sunday. Tickets are $2 and are for sale outside Brewer dining hall or online.

Article originally appeared on the Cardinal and Cream website.

Brigadoon: The Final Bow Of Professor David Burke

Professor David Burke began our tour two days before opening night for the production Brigadoon behind the set itself. I introduced myself and went to shake his hand.

“Oh I shouldn’t,” he said, holding up his hands so I could see how they were covered in shades of black, green and gray paint.

I had interrupted him while he was working on the set piece for the production of Brigadoon that would run from Thursday to the following Tuesday.

He lives for set building.

“I was a college drop-out for about five years,” he said. “For those five years I was not in college, I became a carpenter. I moved to Idaho as a hippie.”

This reminded me of my time in theatre, how when you show up to auditions there were times when you were cut from a show and had to take a break from the stage. While other times, you got the comedic role and the next you were the one to bring the audience to tears.

Burke has constant humility in his leadership and the willingness to even do the clean up required to prepare the stage for that night’s dress rehearsal. But beyond that, he has become a mentor and leader to many of the students in the department.

“He’s like a father figure to many of us,” Noah Leake, senior accounting major, told me after curtain call of the opening night of Brigadoon.

He has guided many of the students, even the students who are not theatre majors, but who have been drawn to the stage.

“If I ever skipped a chapel I was always in his office talking to him, just about life,” Leake said.

Burke is not a man of few words, but as we sat in the audience looking at the set that they created he finally told me, “We are not praising God for saving us, we are praising Him for creating us.”

God was the first creator, and to be more like Him, you need to learn to create, to allow yourself to be molded like clay into what God has designed you for.

Ultimately, that means listening to God when He calls you in a different direction. Burke told me that his plan was to retire when he was 70 and had been around the theatre for 35 years. The Lord had different plans because of his heart condition that caused him to need a double bypass open heart surgery.

“God, I will stay as long as you want me to stay, and I will only go when you clearly tell me it’s time to go.”

It was when Burke was in the hospital recovering from the surgery that he heard the Lord tell him that it was time to take his bow, move aside and allow someone else to lead.

Since February 1, 2019, the cast and crew along with a team of outside volunteers have worked to design and create the sets and costumes from the ground up, just as Burke had done with Union University’s theatre program when arriving here 34 years ago.

When he arrived at Union University in 1986, he told me there was a stage that was about 20×20, made up of platforms that were all different heights. “They had taken carpet and stapled it over the top of it so people wouldn’t trip.”

Since then, he has built platforms for the chairs in the audience, purchased the chairs and lighting and recentered the purpose of the department. A purpose not only to entertain but to enlighten, to teach and to glorify the Lord in all things.

Now it’s show time. The costumes have been finished and the ticket ripped at the door.

Brigadoon. Burke’s first musical in college as a performer, when he played the role of Jeff Douglas, is now his last show as director.  

Within moments the audience will be laughing and sitting at the edge of their seats. With all the accents, all the costumes and the 50 ft wide and 13.5 ft tall set, the audience is immediately thrown back to a land that will bring sacrifice, love and maybe a little magic.

By the end of Act One, the audience is ready to join the chorus.

“It makes me want to pull out my kilt,” Michael Horton, senior psychology major, said once the lights came up.

Brigadoon will throw the audience through all forms of emotions, whether it’s laughing with or at Jeff Douglas, played by Timothy Fletcher, or crying along with Fiona MacLaren, played by Grace Runkle, who gives a wonderful performance and pulls at the heartstrings of the audience. This is a show that draws on all of Union’s talent to bring such a professional performance.   

As Burke takes his final bow and prepares to say goodbye to his role as director on March 19, 2019, Brigadoon is something that shouldn’t be missed by anyone.

Performances of Brigadoon will run in the W.D. Powell Theatre through Tuesday, March 19. You can purchase your tickets at http://www.uu.edu/theatre/.

This article first appeared in The Cardinal & Cream website

Frankenstein and Improv

The backstage dressing rooms of the theater were hot and steamy. Stress was high and the tension could be cut with a butter knife. Makeup was being applied and costumes adjusted, and this was just for a run-through.

Union’s theater department is putting on Mary Shelley’s “Frankenstein,” adapted by Frank Gialanella, March 16-20.

This year is the 200th anniversary of Mary Shelley’s ghost story, so the entire university is celebrating the work by holding various events centered around “Frankenstein.” Janna Chance, associate professor of English, talked about the promotion of “Frankenstein” throughout the English department as well.

“Several professors in the English department are teaching ‘Frankenstein’ this semester, and the Center for Faculty Development has organized a faculty discussion group on ‘Frankenstein,’” she said.

“We are super excited about it,” said freshman theater major Jacob Beals, an actor in the production. “We have put a lot of work into it and we really hope that everyone will enjoy it and come out to see it, because we have all worked countless hours on it.”

Senior psychology major Matthew Wallace who is also working on the production shared his thoughts as well. “We all put in a lot of work. This is going to be a technically beautiful show as far as aesthetics, set and lighting go. It’s technically very complicated, but it’s going to have a lot of payoff, because we all worked really hard to make this show as great as it can be. It has a lot of humor, a lot of heart, [and] a very good message, but its very dark, it’s very tragic — very sad. It’s going to be a really awesome show.”

Show times are 7 p.m. on Friday, 7:30 p.m. on Saturday, Monday, and Tuesday. There will be a 3:00 pm matinee on Saturday. Tickets are $5 for students, staff, and faculty — $7 at the door. Tickets for general admission are $7 prior to the show and $9 at the door.

Frankenstein is not the only event happening in the theater this weekend, however. The Blank Slate Improv team will be performing their first long form improv show of the semester Sunday evening, with doors opening at 6:30PM, and the show starting at 7PM. Tickets are $3 apiece, and everyone who wears their Blank Slate shirt gets $1 off. The show will wrap up around 8:30PM, so any Greek life students who have a meeting at 9PM will be able to attend both.

This article originally appeared on the Cardinal and Cream website.

Drake Faculty of the Year

Drake named Faculty of the Year

Union University presented more than 70 awards to students, faculty and staff at the annual Awards Day chapel service. The Carla D. Sanderson Faculty of the Year Award went to Web Drake, professor of communication arts.

Drake serves as department chair, coordinates the Speech major, and coaches the Union Debate Team.

In his 8 years at Union, Drake has guided the debate team to 3 season-long national championships and 3 championship tournament titles. He has also had multiple tournament and season-long individual award winners. He also chartered the Union Toastmaster’s Club and began the Joseph H. Eaton Speech Competition.

Drake Faculty of the Year

Ashley Fitch Blair, 2015 Faculty of the Year, hands the university mace to Web Drake, 2016 Faculty of the Year

Cam Tracy, Union’s Web-Master, was awarded with the Gary L. Carter Staff of the Year Award. In addition to his work with University Communications, Heit has also served as an adjunct instructor in Communication Arts, teaching classes in the Digital Media Communications program.

The Awards Day chapel, held May 1 in George M. Savage Memorial Chapel, commemorated seniors, students and professors that have shown academic excellence in their studies and teaching.

An academic excellence medal is given to one student from each academic discipline. In order for a student to be eligible for the academic excellence award, the student must have at least a 3.5 GPA in their major courses and must have earned a minimum of 15 hours in their major here at Union, Hopper said.

Communication Arts Academic Excellence Awards:

BROADCAST JOURNALISM: Allison Pulliam

DIGITAL MEDIA COMMUNICATION: David Parks

JOURNALISM: Danica Smithwick

MEDIA COMMUNICATIONS: Rian Trotter

PUBLIC RELATIONS: Elise Watkins

THEATRE: Elizabel Riggs

The Kina S. Mallard Communication Arts Student of the Year Award was presented to Anna Alicia Sails, senior broadcast journalism major and theater minor.

Faculty of the Year

Blair named Faculty of the Year

Union University presented more than 70 awards to students, faculty and staff at the annual Awards Day chapel service. The Carla D. Sanderson Faculty of the Year Award went to Ashley Fitch Blair, assistant professor of communication arts.

Blair coordinates the Public Relations major and serves as the faculty advisor for the Public Relations Student Society of America (PRSSA) chapter, faculty director of Bulldog Communication Group, and chair of the university’s Faculty Development Committee.

In her 15 years at Union Blair has spearheaded the chartering of Union’s Public Relation Student Society of America chapter (2005), helped guide the public relations major to CEPR certification through PRSA (2012), co-founded Bulldog Communication Group, a student lead public relations agency (2011), and co-hosted a PRSSA regional conference (2008).

This year, Blair took on the role of Adviser to the Cardinal & Cream, leading them through the transition to a completely online news source and the inaugural issues of the C&C Magazine, which was ranked the #1 college magazine in the Best of the South competition at the 2015 Southeast Journalism Conference in March.

Scott Heit, Union’s assistant vice president for university communications, was awarded with the Gary L. Carter Staff of the Year Award. In addition to his work with University Communications, Heit has also served as an adjunct instructor in Communication Arts, teaching the Publication Design course.

The Awards Day chapel, held May 1 in George M. Savage Memorial Chapel, commemorated seniors, students and professors that have shown academic excellence in their studies and teaching.

An academic excellence medal is given to one student from each academic discipline. In order for a student to be eligible for the academic excellence award, the student must have at least a 3.5 GPA in their major courses and must have earned a minimum of 15 hours in their major here at Union, Hopper said.

Communication Arts Academic Excellence Awards:

ADVERTISING: Evan Estes

BROADCAST JOURNALISM: Paigh Long

DIGITAL MEDIA STUDIES: Elizabeth Fletcher

JOURNALISM: Katherine Sue Burgess

MEDIA COMMUNICATIONS: Kathryn Feathers

PUBLIC RELATIONS: Jenaye White

THEATRE: Daniel Poore

The Kina S. Mallard Communication Arts Student of the Year Award was presented to Jenaye White, senior pubic relations major and managing editor of the Cardinal & Cream.

Communication professors attend California film conference

Union University communication arts professors Chris Blair and David Burke recently attended the Cinema Studies Conference hosted by the Los Angeles Film Studies Center in Los Angeles.

The conference theme was “The Business of The Business,” and it featured executives from Sony Pictures, Paramount Pictures and Wind Dancer Films, as well as Anthony Zuiker, creator of the CSI franchise.

“David and I went to see the current state of the entertainment industry, so we could bring these ideas and trends back to our film studies courses at Union,” Blair said. “We also had a chance to eat lunch at Warner Bros. with a communication arts alum, John Crook, who works in their Worldwide Theatrical Distribution division.”

The conference offered a behind-the-scenes look at the RED Studios in Hollywood where “I Love Lucy” was filmed in the 1950s and “Seinfeld” was filmed in the 1990s.

Blair also made a presentation to the faculty attending the conference, entitled, “Studio 60 on the Sunset Strip as a Teaching Tool in Cinema Studies.”

According to the LAFSC website, the conference was aimed at the “overlooked essentials” of show business:  marketing, finance and distribution.

The Los Angeles Film Studies Center offers a semester-long, immersive filmmaking program, where students learn the art and craft of filmmaking in a Christian environment. Numerous Union students attend LAFSC as part of the Film Studies minor.

Theatre to perform G.K. Chesterton play, “Magic”

JACKSON, Tenn.—The communication arts department’s fall play this year will be “Magic,” an early 20th century comedy written by G.K. Chesterton.

Theater professor David Burke will direct “Magic.” Nick Fleming will play the main character, the conjuror-magician.

The play opens Oct. 3 at 7:30 p.m. in the W. D. Powell Theatre in the Penick Academic Complex. Performances will continue until Oct. 8. There will be additional showings Oct. 4 at 11:30 and Oct. 6 at 2:30 p.m. Tickets are $3 for Union students and $7 for the general public.

“Chesterton was a journalist and lay theologian, and his friend, George Bernard Shaw, was pressuring him to write a play,” Fleming said. “That’s when Chesterton wrote ‘Magic.’”

The play tells the story of a duchess whose niece and nephew come to live with her. The nephew is an American atheist and the niece a spiritual fairy-speaker, Fleming said.

Other characters are an agnostic, an evolutionist and a preacher. The duchess brings in a magician who, according to Fleming, “turns the tables on them and causes them to question everything.”